![]() 400-800Hzīoost or Cut: To control bass clarity, or to thicken or thin guitar sounds. General: While boost can add warmth to a track, like a thin vocal track, but may also introduce unwanted muddiness. This can result in a net ‘cut of the bass frequencies.īoost: To add warmth to vocals or to thicken a guitar sound.Ĭut: To bring more clarity to vocals or to thin cymbals and higher frequency percussion.īoost or Cut: to control the ‘woody’ sound of a snare. Low frequency sounds are particularly vulnerable to phase cancellation between sounds of similar frequency. General: Be wary of boosting the bass of too many tracks. This should reduce the effect of any microphone ‘pops’. 50Hzīoost: To thicken up bass drums and sub-bass parts.Ĭut: Below this frequency on all vocal tracks. 40-100Hzīoost: Add the bottom “boom” common in modern kick, bass line, and tom sounds. For example, at 40, you may find that you are able to hear between 30 Hz and 15 kHz. For most upper frequency loss tends to be more noticeably reduced. This range decreases as you age, just how much depends on the individual. It should be noted that a young person will be able to hear in the range 20 Hz to 20 kHz. So, strangely, a cut of one frequency can sound like a boost of another. For example, for a lead vocal, a number of narrow midrange cuts may be needed to manage the tone and reduce undesirable resonance.Ĭutting one frequency alters the harmonic balance of a sound and can give the impression that adjacent frequencies have been boosted. Using a narrow Q (bandwidth) often gets better results with a parametric subtractive EQ. To filter out a high frequency on one track, making room for another track to shine with some added sparkle. ![]() For example cutting an EQ hole in a keyboard pad to let a lead vocal cut through. This can be used triggered by side chain input from a second, dominant source, to only be applied when the second instrument is played.
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